Quotas on Icon Photography!

Photographic image quotas set for Half Dome, Mesa
Arch and other World Heritage Icons… Taxation to follow in 2011.

Yosemite Valley Panoramic ©Lon J. Overacker

Dateline: LA Times April 1, 2009

By Nomar Scruples, AP

 

Washington D.C., Department of the Interior.  At the urging of the United Nations World Heritage committee, the National Park Service has begun implementing a system to limit the number of photographs taken of famous, natural icons such as Half Dome,  Mesa Arch, The Grand Canyon of the Yellowstone and hundreds of other locations within the National Park system.  NPS spokesperson Deborah Spillman along with Interior Secretary Ken Salazar unveiled the program during a ceremony staged at the infamous Snake River overlook in the Grand Teton National Park.

 

“…No longer will the face of our nation’s natural wonders be plastered all over magazines, books or posted repeatedly on photography websites…”  Deborah Stillman proclaimed.  “These eternal masterpieces of nature have been exploited for too long.  For too many years, the trees, the rocks and the waterways have had no voice.  We must speak for them now so that their beauty can be preserved for future generations….”

 

Secretary Salazar was sporting his new government sanctioned digital camera.  These cameras are installed with the new PQChip (PhotoQuota.)  The combination of the established technology of GPS navigation and brand new technology of V.I.R.I.S (Visual Icon Recognition Implant system) now allow government officials the ability to track and limit the number of pictures taken of famous landmarks.

 

Hundreds of supporters and enthusiast attended the unveiling and with respect and reverence for the Snake River and the Grand Teton, no photographs of the event were allowed.  Joel Boringpic, a member of Photographer’s for the Ethical Treatment of Icons (or P.E.T.I.) expressed his excitement for the new program:  “Finally, we have a means of preventing the saturation and abuse of these treasured icons.  This will now help give voice to the pine needle, the mushroom, the forgotten pebble and the empty prairies of Kansas.”

 

While complete details of the plan have not been revealed, Stillman did provide some examples on how the program will work.  In Yosemite National Park for example, the number of annual visitors is well over 4 million people per year.  Recent studies by the National Icon Photographic Institute (N.I.P.I.) showed that while not every visitor has a camera, or took any photographs, results indicated some 1.3 Billion images of Half Dome were taken in 2008.  “This number is just way to high,” stated Secretary Salazar.  So after 6 months of studies, number crunching and negotiations, the following annual photographic image quotas (apiqs) were set for Yosemite National Park:

 

Half Dome: 575,000

El Capitan: 497,000

Yosemite Falls:  228,000

Bridal Veil Falls: 215,000 (waterfalls are only temporary, so the numbers can be reduced)

Tunnel View: 1.1 million (Photographers are encouraged to make this their only photograph, so this value is higher)

 

All the quotas for every National Park can be obtained from the newly created Department of Photography Exploitation, or D.O.P.E.   President Obama signed his first executive order creating the new department the day following his inauguration.

 

Although the new quota system sailed through both houses of Congress without opposition, there are still some kinks that need to be ironed out.   A small, grass-roots organization has surfaced in opposition of this new legislation and quota system.  Leroy “copycat” Bushwhacker formed the group called I.P.A.Q or Icon Photographers Against Quotas.  Leroy claims the new quota system is unfair and discriminates against autumn and winter.  He explains one of the reasons why he thinks the quota system is flawed:  “Basically, the quota system runs from Jan 1 thru Dec 31^st and quotas are reset each year.   In popular places like Yosemite, the quota for Half Dome will likely be reached by July 1^st; thus shutting out a photographer’s ability to photograph “Moonrise over Half Dome” in October.  It’s simply not fair. And photographs of El Capitan could potentially be cut off by early March if people needlessly snap images of Horsetail falls in February.  It’s just crazy.”

 

Salazar concluded the opening ceremony by acknowledging the unintended consequences of this new system are unknown, “… but we had to act now to protect and preserve the natural look, restore the untired beauty, and stop the ruthless image exploitation of these treasured icons.”

 

The Canadian Parliment is considering similar legislation that would also incorporate a tiered tax system.  Citing the over exposure of icons such as Mt. Rundle and Lake Louise, the Parliment wants to curb the number of photographs not only taken, but also distributed and published in online forums such as the Naturephotographer’s Network.  It’s unclear at this time how the taxation would be implemented, but anonymous sources say the taxes would certainly be weighed towards the bigger, more expensive digital cameras (dslrs.)  The consensus is that those who can afford the luxury of top of the line equipment would have the ability to pay the higher “fees.”  It’s only fair.  A member of the Canadian Parliment, who wished to remain anonymous was quoted as saying:  “…. with the proliferation of digital photography, we must have a means of limiting the relentless exploitation of our nation’s natural treasures.  It’s simply in the best interest of the people, and for our children’s future.”

 

In a related story, reports out of Washington indicate legislation is being drafted to also tax pixels.  Bushwhacker was incensed.  “I’m going back to film.  Let’s see them try and put a PQChip in my view camera!” 

 

No animals were hurt during the writing of this story.  Any reference to persons, events or organizations is purely coincidental and/or completely fictional.

APRIL FOOLS. 

 

Journal Launch – Sonora Pass, July 2008

For the second summer in a row I went on a camping/photography trip up to the Sonora Pass in the Central Sierra Nevada range in California. I don’t necessarily enjoy sleeping on the ground or going without a shower for four days, but the rejuvenating effect of being in the mountains far outweighs the comforts of home. It was the second of such trips that I will long remember and cherish. I take that back – I actually love camping and don’t mind getting dirty at all.

Children of the Corn - Lilies

For the most part, nature photography is a solitary endeavor. It gets back to the pure enjoyment and rejuvenation of being in the wild and refreshing your soul. Yet it is photography that allows us to bring home those “moments in time;” sharing the images with family, friends and yes, selling prints, publishing a photography article, a book, calendar or even sharing that passion in a blog.

Despite the solitary nature of photography, there is a common element that is shared in most other avocations; and that is the sharing of your passion with friends. Some may be content to capture images of nature alone on a mountainside or on an ocean bluff, but in the end, sharing experiences with those who have similar passions is something that often gets overlooked.

And it is for those friends that I write this first post in the journal. These friends might be life-long buddies, or new acquaintances you’ve met along the way who have that common thread of enjoying the great outdoors with a camera. We may come from many different backgrounds, ages, cultures, political beliefs and yet can share in the enjoyment of an alpine wildflower or a patch of commonly photographed corn lilies.

Alpine Lily

Gathering and photographing with friends has its challenges as well. Few want to photograph the same scene (or at least not while someone else is standing there!) and for the most part, nature photography is a personal journey. So what do you do with a group of photographers? Well, the same thing you do on your own. You wander about, absorbing the wonder of nature and seek out that “wall hanger,” while at the same time, remembering why you enjoy being out there in the first place. Most of the time even though you may start out as a group, you eventually end up on your own….

And so it was up on the Sonora Pass this past July. A small group of newly found friends, up to the mountains to refresh their souls, capture some natural beauty on film and enjoy the company of friends around a campfire.The images captured from these times are simply icing on the cake. I felt fortunate to have come home with some pleasing scenes; ones that will remind me of those moments.

The first image showing the patch of Corn Lilies was an image I was not originally searching for. Honestly, I was looking for a more intimate portrait. You know the graphic, evocative image of the graceful curves of just a few broad leaves. I struggled in finding that scene. But with that struggle emerged new ways to see things. I stepped back and discovered the beauty in the slightly wider view. I’ll still be searching for the other perspective, but my vision was expanded on this day.

Lupine Lush

The Tiger Lily turned out to be more about technique and logistics than it did about vision. The challenge began with capturing a close-up image with a large format camera. The next challenge was the lighting. Luckily this nice specimen was found close to camp but the harsh sun had already flooded the scene. Improvising, I borrowed a bed sheet that one of the guys had brought along to use as a seat cover and blanket for his traveling canine pal Maggie. I draped the sheet over a large willow to diffuse the light. Simple, straight forward image, but I like it. Honestly though, I think I was more proud of the effort.

The Lupines along Deadman’s Creek on the Sonora Pass were prolific the last two summers. Many flower species could be found, but the Lupine thrives on the moisture found alongside the mountain streams and they put on a grand show. I returned to this little scene multiple times before I finally decided the light and wind were about as good as they were going to be. I wanted to showcase the flowers, but still put them in a place where the creek was visible, yet sufficiently out of focus to keep the attention on the flowers.

Lodgepole Glow

I am perhaps most proud of this last image. It doesn’t show well at this web size and might not even be recognizable (you can see a larger size by clicking on the image.) I’m happy with this because it’s different and something that most folks would pass on by without a second look.

I had spotted this scene on last year’s trip, but for whatever reason, I passed on it. The small stand of lodgepole pine stood on an exposed bluff near the top and most narrow portion of Sonora Pass; somwhere about 8,000ft. The trees were a good 100 yards from the road and even at that distance I could see the reflected glow between the two trunks. This time around, something told me it was the right time to capture this.

I don’t think I can finish this journal entry without mentioning the friends who helped make this trip to the Sierra a complete one. And despite what you might hear about their campfire etiquette, they are all gentlemen and fine photographers. Please feel free to visit their websites: Dan Baumbach, Preston Birdwell and Harley Goldman. Michael Reynolds also attendend, but his trip was cut short by a unfortunate case of contact-rolled-up-in-the-back-of-the-eye syndrome – not fun. Thanks guys! Let’s do this again next year.